“Hats Off to (Roy) Harper”, which closes Led Zeppelin III, draws on a number of country blues songs. Along with “Custard Pie” on Physical Graffiti, “Hats Off to (Roy) Harper” is a prime example of Robert Plant’s cut-and-paste approach to borrowing lyrics from blues artists. Almost every line in “Hats Off to (Roy) Harper was lifted from a country blues song. The most obvious source is “Shake ‘Em On Down” by Bukka White. Mississippi Fred McDowell recorded a song by the same title, but other than a similar refrain, the lyrics of Mississippi Fred McDowell’s version differ from Bukka White’s. The lyrics Robert Plant uses for “Hats Off to (Roy) Harper” are more directly from Bukka White’s version, while Jimmy Page’s bottleneck guitar has a sound similar to the version by Mississippi Fred McDowell.
The refrain (“When I done quit hollerin’, babe/I believe I’ll shake ’em on down”) was taken from Bukka White’s version of “Shake ‘Em On Down”. In the third verse Robert Plant mixes “Shake ‘Em On Down” with “Help Me” by Sonny Boy Williamson (“Listen, mama, put on your mornin’ gown/Put on your nightshirt, mama, we gonna shake ’em on down”—lines he would reuse in “Custard Pie”). The song most heavily quoted in “Hats Off to (Roy) Harper,” however, is “Lone Wolf Blues” by Oscar Woods, as the second and fourth verses both come from this song. Robert Plant also inserted a reference to a “brown-skin woman”, which is probably taken from the song of that title by Howlin’ Wolf or perhaps Sunnyland Slim. The alternate lyrics that Robert Plant uses for the refrain in the second half of the song (“I been mistreated, babe”) also draw on “Lone Wolf Blues”.
The lyrics to “Hats Off to (Roy) Harper” are given below, listing the source Robert Plant used for each line. In a couple of cases the association is a stretch, particularly the lines “Get me, baby, won’t be late/You know by that I mean not seconds late”. Those lines may have come from Howlin’ Wolf’s “Down in the Bottom” written by Willie Dixon, which contains the phrase “don’t be late” rather than “won’t be late”. While not a certainty, all of the other lines are readily identifiable from blues sources, and “Down in the Bottom” is on Howlin’ Wolf’s “Rockin’ Chair” album, which was one of the first records Jimmy Page and Robert Plant shared upon first meeting. The other tenuous association is the final line of the song with Tampa Red’s “Blue and Evil Blues,” which has a similar theme and concludes with the singer shooting his woman.
Hats Off to (Roy) Harper | |
Lyrics | Source |
When I done quit hollerin’, babe | Shake ‘Em On Down |
I believe I’ll shake ’em on down | Shake ‘Em On Down |
Get me, baby, won’t be late | Down in the Bottom [?] |
You know by that I mean not seconds late | Down in the Bottom [?] |
Must I holler, must I shake ’em on down | Shake ‘Em On Down |
When I done quit hollerin’, babe | Shake ‘Em On Down |
I believe I’ll shake ’em on down | Shake ‘Em On Down |
Well, I ain’t no monkey, I can’t climb no tree | Lone Wolf Blues |
No brown-skin woman | Brown Skin Woman |
Gonna make no monkey outta me | Lone Wolf Blues |
Yeah, I ain’t no monkey, sure can’t climb no tree | Lone Wolf Blues |
I been mistreated, babe | Lone Wolf Blues |
I believe I’ll shake ’em on down | Shake ‘Em On Down |
Well, I been mistreated, babe | Lone Wolf Blues |
I believe I’ll shake ’em on down | Shake ‘Em On Down |
Listen, mama, put on your morning gown | Help Me |
Put on your nightshirt, mama | Help Me |
We gonna shake ’em on down | Shake ‘Em On Down |
Must I shake ’em on down | Shake ‘Em On Down |
Well, I done been mistreated baby | Lone Wolf Blues |
I believe I’ll shake ’em on down | Shake ‘Em On Down |
Gave my baby twenty-dollar bill | Lone Wolf Blues |
If that don’t finish her, I’m sure my shotgun will | Lone Wolf Blues |
Yeah, I gave my babe twenty-dollar bill | Lone Wolf Blues |
Well, if that don’t get that woman out | Lone Wolf Blues |
I’m sure my shotgun will | Lone Wolf Blues |
Yeah, I’ll go shoot her, now | Blue and Evil Blues [?] |
“Hats Off to (Roy) Harper” is a strange recording and a rather odd way to pay tribute to Roy Harper, who was a folk singer with minimal blues influence. Perhaps the tribute to Harper is in the eccentricity of the recording itself, which would be fitting as Harper is certainly eccentric. Still, as it is, “Hats Off to (Roy) Harper” serves as more of a tribute to country blues artists of the 1930s than to the man mentioned in the title. Jimmy Page explained the tribute in a 1979 interview in New Musical Express. Chris Salewicz was asking Jimmy Page about his political beliefs and being true to one’s convictions. Jimmy Page pointed to Roy Harper as someone he had great respect for in this regard. According to Jimmy Page, “Harper’s ‘Stormcock’ was a fabulous album which didn’t sell anything. Also, they wouldn’t release his albums in America for quite a long time. For that I just thought, ‘Well, hats off to you’. As far as I’m concerned, though, hats off to anyone who does what they think is right and refuses to sell out.”
Perhaps the strangest thing about “Hats Off to (Roy) Harper” is how the songwriting credits are listed: “Traditional, arr. by Charles Obscure”, presumably a pseudonym of Jimmy Page. With multiple artists quoted, shouldn’t at least one of them have received songwriting credit for this track? How much of an artist’s work needs to quoted before they deserve to be acknowledged in the credits? A line? A refrain? A verse? Two verses? I don’t know what the rules for songwriting credits are, but to my mind quoting two verses, as is the case with “Lone Wolf Blues”, warrants songwriting credits for Oscar Woods. Also, the Bukka White refrain, repeated several times throughout the track, plays a key role in “Hats Off to (Roy) Harper”, and so Bukka White should have been credited on this song as well. It should be noted that Bukka White was still alive when “Hats Off to (Roy) Harper” was recorded.
Lone Wolf Blues
by Oscar Woods:Mama mother told me, when I was quite a child (2x)
I say the life that you are living will kill you after a whileI just begin to realize the things my mother say (2x)
Since I been down here I been mistreated this wayI never loved no one woman, hope to God I never will (2x)
All these triflin’ women will get some good man killedNow I ain’t no monkey and I sho’ can’t climb a tree (2x)
And I ain’t gonna let no woman make no monkey out of meNow I sent my baby a brand new twenty-dollar bill (2x)
If that don’t bring her, I know my shotgun will
Shake ‘Em On Down
by Bukka WhiteYes, you’re a nice girl, mama
And little girl
Night before day
We gonna shake ’em on downI need some time holler, now
Oh, must I shake ’em on down
I done shout hollerin’, now
Must I shake ’em on downToo much is debted to me
Through the week
Save these chili peppers
Some ol’ rainy day, hereBest I’m hollerin’, now
Ooh, must I shake ’em on down
I done shout hollerin’, now
Must I shake ’em on down, nowFix my supper
Let me go to bed
This white lightnin’ done gone
To my headOh, must I holler now
Ooh, must I shake ’em on down
I done shout hollerin’, now
Must I shake ’em on downI ain’t been in Georgia, babe
I been told
Georgia women got the best
JellyrollThese nights time holler, now
Oh, must I shake ’em on down
I done shout hollerin’, mama
Must I shake ’em on downSee See mama, heard
You, done-done
Made me love you, now I know
Man done comingBest I’m hollerin’, now
Oh, must I shake ’em on down
I done shout hollerin’, mama
Must I shake ’em on downPretty girl’s got
They don’t know
What it is make me drunk
At that old whiskey stillIt’s best I’m hollerin’, now
Oh, must I shake ’em on down
I done shout hollerin’
Must I shake ’em on down.
You should do an analysis of all the blues tunes and find each instance of borrowing and or theft. I think you’d find it to be equal to or greater than zeps use. Or the great bob Dylan. It’s common knowledge his borrowing of phrases and ideas. The only thing you’ve demonstrated is your ignorance of the artistic process.
Damn. Don’t get cut on all that edge, kid.
Nice, man!
News flash: ALL artists barrow. Visual artists do it, musicians do it, playwrights do it, novelists and poets do it. The birds and bees do it. The ONLY reason people think Zep is the only band doing it is because they’re the ONLY band being focused on. Hell, Deep Purple’s Child In Time is an exact borrowing Bombay Calling by by It’s a Beautiful Day. John Lennon took Zappa’s King Kong and renamed it Jamrag. More currently, Robin Thick took Got to Give it Up from Marvin Gaye and renamed it Blurred Lines. Others accused of plagiarism have been James Brown, Cold Play, Will I Am, Lady Ga Ga, Taylor Swift, Bruno Mars, Beach boys, The Rolling Stones, Beatles. On and on it goes But the ONLY reason people attack Zep is because they’re only behind The Beatles, Elvis, and Michael Jackson in record sales. No one’s focusing on the lesser acts, so stop being so butt hurt and go out and do some good. Help old lady Jones, her yard needs mowing, and do some damn good in your life.
Are only Led zepp the only ones?from the very beginning people have done it. Its just the money grabbers in the industry, Make money , but when the music industry do it themselves its a different world. But if zepp acknowledged the said players names on the album not a word. People in suit’s are just dog shit
This was very common with blues music. The artists you credit as writers were performing versions of music written by others. provenance in the blues is not straightforward.