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Turn Me On, Dead Man

Take this, brother, may it serve you well

Jun 30
2010

Jake Holmes Finally Sues Jimmy Page Over "Dazed and Confused"

Posted by: Dead Man

Dead Man

TMZ is reporting that Jake Holmes has finally--finally--filed suit against Jimmy Page for plagiarizing the song "Dazed and Confused". In case you're still skeptical, TMZ also posted the legal documents for this lawsuit. Because he waited so long, Jake Holmes can only sue for damages from the last three years because a statute of limitations (or a "statue" of limitations as the New York Post calls it) applies to lawsuits like this one.

I would imagine that Jake Holmes is not doing this for the money, though. In a 2001 interview with Will Shade, Jake Holmes revealed that he did approach Led Zeppelin several years after the release of Led Zeppelin I about the authorship of "Dazed and Confused". No one from Led Zeppelin replied to Holmes' queries and he didn't pursue the matter. Perhaps now that Jake Holmes's 1967 album The Above Ground Sound of Jake Holmes, which contains his version of "Dazed and Confused," is now back in print, and information about this song now abounds on the internet, Jake Holmes is responding to the groundswell of support for him that has arisen over this issue.

The following is from Led Zeppelin: Plagiarism?, an extended piece that has been on this website for several years now:

"Dazed and Confused" from Led Zeppelin's 1969 debut album was one of the group's signature numbers. The songwriting credits list Jimmy Page as the sole author of this song, but "Dazed and Confused" was originally written by Jake Holmes and included on his 1967 album The Above Ground Sound of Jake Holmes. A 1990 interview with Jimmy Page in Musician is revealing.

MUSICIAN: I understand "Dazed and Confused" was originally a song by Jake Holmes. Is that true?
PAGE: [Sourly] I don't know. I don't know. [Inhaling] I don't know about all that.
MUSICIAN: Do you remember the process of writing that song?
PAGE: Well, I did that with the Yardbirds originally.... The Yardbirds were such a good band for a guitarist to play in that I came up with a lot of riffs and ideas out of that, and I employed quite a lot of those in the early Zeppelin stuff.
MUSICIAN: But Jake Holmes, a successful jingle writer in New York, claims on his 1967 record that he wrote the original song.
PAGE: Hmm. Well, I don't know. I don't know about that. I'd rather not get into it because I don't know all the circumstances. What's he got, The riff or whatever? Because Robert wrote some of the lyrics for that on the album. But he was only listening to...we extended it from the one that we were playing with the Yardbirds.
MUSICIAN: Did you bring it into the Yardbirds?
PAGE: No, I think we played it 'round a sort of melody line or something that Keith [Relf] had. So I don't know. I haven't heard Jake Holmes so I don't know what it's all about anyway. Usually my riffs are pretty damn original [laughs] What can I say?

The interviewer let the matter go at this point, but the article adds the following footnote: "The acoustic "Dazed and Confused" on The Above Ground Sound of Jake Holmes (Tower Records ST 5079, June 1967) is very, very close to Led Zeppelin's 1969 version, musically and lyrically."

It's commonly acknowledged that Jimmy Page had heard Jake Holmes play "Dazed and Confused" before the Yardbirds (and Led Zeppelin, of course) began performing the number. In Hammer of the Gods: The Led Zeppelin Saga Stephen Davis writes that the Yardbirds heard Jake Holmes at Café a Go Go during a stint in New York in 1967, and they were impressed with his performance of "Dazed and Confused," which they felt was "a brilliant number—dramatic, frightening, and very stealable." A somewhat different account comes from Greg Russo, who asserts that on August 25, 1967, Jake Holmes opened for the Yardbirds at the Village Theater in Greenwich Village. Jim McCarty and Jimmy Page were so impressed with Holmes's performance that each of them went out and bought a copy of The Above Ground Sound of Jake Holmes.

Greg Russo is perhaps the more credible source, as he is the author of Yardbirds: The Ultimate Rave-Up . He also wrote the liner notes for the 2003 EMI reissue of Little Games, the last studio album released by the Yardbirds. This reissue adds a number of tracks, including a live performance of "Dazed and Confused" recorded for the BBC in March, 1968. By that point, "Dazed and Confused" had become part of the Yardbirds live repertoire. The Yardbirds did not record a studio version of "Dazed and Confused" for release on any of their albums, but it was included on Live Yardbirds Featuring Jimmy Page, a concert recorded at the Anderson Theater in New York on March 30, 1968. Epic released Live Yardbirds! Featuring Jimmy Page in 1971 to capitalize on Jimmy Page's success in Led Zeppelin, but they did so without the permission of the Yardbirds and carelessly listed the title of "Dazed and Confused" as "I'm Confused." Reportedly Jimmy Page was displeased with the recording quality of Live Yardbirds and he was horrified to find that "the producer had tacked on bullfight cheers and sound effects of clinking glasses to make the concert sound 'live.' Jimmy Page has gone to some lengths to keep this album off the market.

Comparing the versions of "Dazed and Confused" by Jake Holmes, the Yardbirds, and Led Zeppelin is revealing. The structure of Jake Holmes's version of the song is as follows:

Theme A the descending pattern
Verse 1 over theme A
Verse 2 over theme A
Theme B instrumental section with a syncopated tapping rhythm and a psychedelic guitar solo
Verse 3 over theme A
Theme B to abrupt ending

The structure of Led Zeppelin's version of "Dazed and Confused" is similar to Jake Holmes's version, but the Led Zeppelin version features original lyrics (other than the repeated title line) and adds some elements not present in Jake Holmes's recording. Here is the structure of "Dazed and Confused" as Led Zeppelin recorded it for Led Zeppelin I:

Theme A the descending pattern
Verse 1 over theme A
Theme A  
Verse 2 over theme A
Guitar break  
Theme A  
Verse 3 over theme A
Guitar break  
Theme B call and response between vocals and guitar to psychedelic guitar solo
Theme C uptempo 4/4 section with guitar solo
Guitar break  
Theme A  
Verse 4 over theme A
Guitar break  
Theme B to end

Led Zeppelin's version of "Dazed and Confused" is twice as long as Jake Holmes's original version of the song and includes a few elements that are original. Led Zeppelin's version has four verses (of almost all original lyrics) rather than three, and verses 2 through 4 in Led Zeppelin's version conclude with an original guitar break. Also, although they maintained the same time signature, Led Zeppelin's theme B has a different rhythm than Jake Holmes used. Where Jake Holmes had employed a syncopated rhythm, Led Zeppelin uses a straight 1-and-2-and-3 rhythm that alternates among the various members of the band. Over that rhythm, Led Zeppelin engages in a call-and-response between Jimmy Page's guitar and Robert Plant's vocals, but like the Jake Holmes version this section culminates in a psychedelic guitar solo. The real departure from Jake Holmes comes when Led Zeppelin break into an uptempo 4/4 solo section. This section ends with a power chord riff before returning to the 12/8-time guitar break used throughout the track. Like Jake Holmes, Led Zeppelin close out the track by returning to Theme B.

In his 1990 interview with Musician, Jimmy Page claimed, "we extended it from the one that we were playing with the Yardbirds," but this does not stand up to scrutiny. The earliest recording of the Yardbirds version of "Dazed and Confused" was recorded live for Top Gear Programme at the Playhouse Theatre in Hulme, Manchester, on March 6, 1968, and was included on the 2003 EMI reissue of Little Games. The structure of this version is as follows:

Theme A the descending pattern
Verse 1 over theme A
Theme A  
Verse 2 over theme A
Guitar break  
Theme A  
Verse 3 over theme A
Guitar break  
Theme B guitar and harmonica to psychedelic guitar solo
Theme C uptempo 4/4 section with guitar solo
Guitar break  
Theme A  
Verse 1 over theme A
Guitar break  
Theme B to end

As you can see, the Led Zeppelin version of "Dazed and Confused" is nearly identical to the Yardbirds' version. All of the elements of Led Zeppelin's version are present in this recording by the Yardbirds: theme B with its 1-and-2-and-3 rhythm traded among the members of the band, the uptempo 4/4 solo section, and the guitar break. The main difference between the Yardbirds' version and Led Zeppelin's version is the lyrics. Keith Relf sings Jake Holmes's original lyrics in this recording, reprising to the first verse to conclude the track. By the end of March, 1968, however, Keith Relf had changed some of the lyrics. In the version of "Dazed and Confused" on Live Yardbirds Featuring Jimmy Page, recorded some three weeks later, the Yardbirds played only three verses, all of which featured some revised lyrics. It should be pointed out, however, that Robert Plant did not use any of Keith Relf's lyrics. As stated earlier, Robert Plant wrote all original lyrics for "Dazed and Confused," with the exception of the title line. One thing commonly repeated is that in changing the lyrics, Robert Plant changed the meaning of the song. According to the liner notes for James Patrick Page: Session Man, "Dazed and Confused" has a "sinster descending bass scale and jittery paranoid lyrics that described a bad acid trip." According to Jake Holmes, however, despite the psychedelic elements in the reocrding, "Dazed and Confused" is not about taking LSD. Like the Led Zeppelin version, this song is about the difficulties of a failing relationship. Still, Robert Plant's lyrics are original, if a bit more misogynistic than Jake Holmes's lyrics ("Soul of a woman was created below").

It's clear that Jimmy Page had heard Jake Holmes's version of "Dazed and Confused" before the Yardbards performed the song, let alone before Led Zeppelin recorded it for their first album. Jake Holmes has never received any acknowledgement or compensation for "Dazed and Confused." In an interview with Will Shade, Jake Holmes revealed that he did approach Led Zeppelin several years after the release of Led Zeppelin I about the authorship of "Dazed and Confused". No one from Led Zeppelin replied to Holmes' queries and he didn't pursue the matter. Why he chose to do this is puzzling, because he deserves credit for writing "Dazed and Confused."

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0
Why Zeppelin Why?
written by Justin Chopin , June 30, 2010
I always loved the song. It's sad that Led Zeppelin had to steal this song in order to make a name for themselves. Then again they allegedly stole from : Howlin' Wolf , Willie Dixon, Joan Baez, Robert Johnson so that in itself is shocking. Still love their music their credibility has gone down for me .
0
THEIVING JIMMY PAGE
written by BERNIE MADOFF, July 04, 2010
what a scumbag...! hang page by his bullocks!
Andru_Reeve
Dead Man Nails It
written by Andru_Reeve, July 04, 2010
Good job prognosticating this one, Dead Man. BTW, the public radio show "SOUND OPINIONS" featured the story in its opening news wrap. They played the songs back-to-back. Page should man-up right now and pay Holmes the 90,000 pounds he's asking for. Hell, he should triple that amount, and change the songwriting credit to Holmes/Page/Plant.
0
Not so fast Mr. Holmes
written by Kathy, July 10, 2010
I have listened to Mr. Holmes version, and I obviously know Zep's Dazed & Confused very well. Other than using the phrase "I’ve been dazed and confused..." They’re two very different songs. My husband who is an artist himself, has told me countless times you cannot copyright chord progressions, only lyrics. So Jake may have him on the Dazed & Confused, but a whole song that does not make. This is certainly going to be interesting. I wonder if Zeppelin had not been the smashing success that they we’re, and remain to be in my opinion, if this would even be an issue?
0
Your song suckled, they made it good, dont be jealous
written by John, August 29, 2010
Mr. Holmes version obviously wasn't cutting it in the music industry, but it had potential. So Jimmy Page, God of guitar, took it and made it a hit song by changing almost everything about it except one good bass line. To say their credibility has gone down is down right retarded, they were and will always be the best band to ever perform. The thing that makes Zep great isn't simply their songs but in the style they performed them. Mr. Page I give you props for being such a genius, hopefully someday I can be half the guitar player you are.

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